Sara Greet Gilis— Artist

Service, not self.
2017
installation view
5 tons of wet clay build in a circular wall inside a laboratory

Fitting Pieces (Passtukken)
2018
clay, photo prints

The reactivation of primeval beliefs in an omnipresent female force, a reminder of the womb, the first place of creation. A call to acknowledgement of the unmet power of the female body.

Boob Country, VR-installation, 2018

Woman, charcoal on paper, 70 x 100 cm, 2019

Objet Féminine, soapstone, 14 x 9 x 12 cm, 2016

Paradise garden, rocks, knitted wool, 2018

The girl nextdoor
2018
ink and charcoal on paper
150 x 192 cm

Babel, charcoal on paper, 70 x 100 cm, 2019

Window, charcoal on paper, 200 x 300 cm, 2019

Woman, charcoal on paper, 70 x 100 cm, 2019

Corps Etranger, installation view MHKA Antwerp

Corps Etranger, film still

Woman, charcoal on paper, 180 x 130 cm, 2017

Try out installation Addicted to love, Milk Fountain

Addicted to love // Turd 6
2018
charcoal on paper
150 x 200 cm

Try out installation Addicted to love, Wall Piece

Addicted to love // Turd 3
2017
Charcoal on paper
200 x 300 cm

Addicted to love // Turd 1
2017
Charcoal on paper
200 x 300 cm

Babouchka, clay, wood, 60 x 60 x 200 cm, 2016

Addicted to love // Turd 2
2017
Charcoal on paper
200 x 300 cm

Try out Addicted to love, do turds communicate

Rock Paper Sea (Wave 1), charcoal on paper, 200 x 300 cm, 2016

Rock Paper Sea (Rock 1), charcoal on paper, 200 x 300 cm, 2016

Rock Paper Sea (Rock 2), charcoal on paper, 200 x 300 cm, 2016

Rock Paper Sea (Wave 2), charcoal on paper, 200 x 300 cm, 2016

Mathilda, fur coats, glass, plaster, 2014

A thing is a phallic symbol if it is longer than it is wide, charcoal, ink, paper, 29 x 21 cm, 2015

Window, hair, glass, 2014

Hair, charcoal on paper, 200 x 287 cm, 2016

Rock Paper Sea, installation view, 2016

(Untitled), ceramic, 2015

(Untitled)
2015
Charcoal on paper
300 x 150 cm

Woman, charcoal on paper, dimensions variable, 2015 - ongoing